Free Intro Pack

We are offering a free Intro pack for potential new clients. It provided a basic website and is hosted for free. The free Intro site is a template that allows you to enter your details, select a design, and go with it. It is limited in size and has a bandwidth limit, but we give you a do-it-yourself site. The content and bandwidth is limited.

a) a temporary short domain name (https://yourname.sfsw.net)
b) a free intro site that allows you to update a limited set of basic pages (About, Contact and a General information page), make unlimited posts or articles that can include media files
c) simple upgrade to a professional site for application development on your own domain.

Art4kids Funding Proposal

Business Plan Outline

Introduction

Art4Kids is a growing gallery of works suitable for children.

Imagine learning about art from an early age, sharing stories inspired by children’s curiosity sparked by a new understanding of the natural world, imagination, stories, animals, and activities that children and parents can mutually explore.

Objective

Art4Kids has an educational objective as well as an inspirational agenda.  The value of treasuring memories from an early age that represent genuine values rather than exploding war toys or unrealistic expectations that every girl will be a princess or every boy a superhero.

Make-believe and stories are traditional development paths that parents too often miss the value of, instead of providing electronic nannies or mind-numbing comic book violent fiction, art4kids provides collectible works for children’s bedroom or playrooms.

Realising value

Art4Kids reproduces and frames high-value prints and makes budget level posters available.  Midrange safe to hang (in rental accommodation) foam-prints provide a simple choice of mediums and reflect values of different types of buyers.

Art4kids.gallery has been realised with artist Fiona Scott-Wilson who has created a range of cut-paper and ink works that we can reproduce via printers and framers and have delivered directly to retail customers in the UK.

Payment

The artist will sign a license agreement with Software Antelope Ltd granting a renewable two or five-year window in which their work is available via the site.   A deal can be made with the artist of a 10% – 30% royalty for each sale.  If an advance is made to the artist, this would be a factor in the negotiation of the royalty rate.  An advance is being budgeted for Fiona Scott-Wilson for tax efficiency.

Original works, commissions, and customisation

At the extreme high end, we can offer the original cut-paper or ink works as collectibles, the artist can be commissioned to create bespoke works, or prints can be individually customised.  Although the artist has received two commissions, this is not seen as a major channel but is the most profitable.  In these cases, the artist is not paid a commission but the website refers the sale to the artist and the fee is then realised by the artist.  A standard gallery commission of 10% – 20% could be charged if the website processes the fee.  As this is more of a service option and has no mass market scalability, these kinds of sales are not part of this project and should be handled directly by the artist.

Other Artist sites

The director of Software Antelope Ltd has created sites for other artists.  Nicholas Alexander has a track record producing successful theatre and musical cabaret shows in the Edinburgh festival as well as building websites for art venues and advising artists, production, photography, film editing and art blogging.

Automation

The site is to be augmented with software that automates the process of ordering prints so that when we promote the site, and sales start to occur, there is no necessity for time being spent processing orders.  In the meantime, orders are being placed manually.

The .gallery project is designed to create an opportunity for a web producer to work directly with an artist who has a range of works aimed at a specific market which are licensed as an exclusive sales channel.  Art4Kids.gallery will only feature works by Fiona Scott-Wilson, other sites will have their own brand identity.

 

Expansion plans

Merchandise

As well as images being sold as art, we are ready with suppliers who produce cushions, duvet covers, curtains, mugs, tee shirts and other potential presents aunts, uncles and grandparents can gift to young children that match the collectible art-work range.

Illustrated books

A range of storybooks also is planned which will be reflected in the range of wall-art and merchandise.  The first book has been completed: an illustrated work “Timmy the Tiger Cub” which will either be self-published (on an Amazon store) or published on the strength of presales by a major publishing house via Publishizer, either method requires a promotional budget.  The synergy of a book, a poster or artwork, a mug or tee-shirt, or even soft furnishings can increase sales and involvement.

Digital Assets

The website art4kids.gallery has been created by Software Antelope Ltd in collaboration with artist Fiona Scott-Wilson.  The marketing of her work via this website is secured by a license agreement.  Other digital assets can be created when required due to the skills of the software developers available through the company and its subsidiary remotedevelopment.co.uk.

All digital assets are hosted on a cloud infrastructure using leading content management frameworks and kept up to date by our developers.

Future growth

Software Antelope Ltd own the infrastructure and software which art4kids.gallery relies on to be a scalable online business.  Once this venture is operating with viability, we will package the infrastructure to offer it to other artists as a) their own website for a fee, and b) as a rented infrastructure for a monthly fee.   At that stage, we will seek further funding to expand the business.

Contracting and IR35

What is the Government doing?

The UK Government thinks that contractors have unfair advantages over employees and are tightening the IR35 regulations so that most onsite contractors are treated more like employees without any of the benefits of employment: sick days and holiday pay, share options, long-term predictability.

If you are paying a mortgage and/or have a family, then the likelihood is that the benefits of employment would be a priority.  Contractors move from company to company and accumulate a different set of skills and experience that have an immediate benefit on a project.  Of course, some contractors are simply employees and may be on a short-term arrangement so that they can then take up permanent employment, thus reducing risk to employers.

Project completion, not time spent

Remote Development does not offer employment or contracts to developers.  We seek whole projects which are developed for clients strictly off-site and without supervision.  Our teams are coordinated using Agile Methodology, but it is up to each developer to deliver.  If during a Sprint, a developer has no contribution then there is no fee.  Of course, their contribution may dominate a subsequent sprint.  This means a contract with a client for a planned number of sprints.  We deliver project completion by the Sprint and charge for planned results, rather than a wage for a day worked.

Does this mean our work is subject to IR35?  The law may change but as it stands, we only deliver on a basis of projects, not replacing any staff or employee function.  Outsourcing is a business-to-business corporate arrangement.

How we pay our taxes

Individual contractors are also businesses and are not employed by Remote Development.  Of course, their own businesses have to pay tax and individuals they employ are on salaries which are subject to PAYE.  Shareholder-employees can also be paid dividends (a share of profits), which are now also taxed in the UK.

What is not taxed?

Investment back into the business.  Remote development has a side product – teamwork.  As we build teams, they are able to create businesses by investing their time and mutual skills.  Business investment is spending revenue to create future revenue growth.  The best defense against taxation is investment back into the business.  It is also a path to paying more tax while retaining a much larger slice of the profit pie.

What is good about tax?

We should not be in business to avoid paying tax. The zero-sum game of avoidance is to simply make nothing – of course, that is self-defeating.  Taxes support the government of the land.  Education, defense, health – all need to be paid for.  Deficits are the selling of the future but rampant tax avoidance are a primary cause of Government borrowing against tomorrow.  A better way is to cause business growth and to run a fair tax regime.

What is bad about tax?

Governments make political choices, not business choices.  Taxation takes money away from future risk takers, sometimes for the benefit of society, sometimes due to crippling levels of Government debt.  Businesses borrow money to build a future.  Governments borrow for the same reason, but the debt levels these days mean they are selling the future to pay for the past.  Hard decisions could reduce these levels, but who would vote for tax increases?  Why do we vote for austerity?  A business that adopted policies that reduced sales would not survive.  Supporting a government that is dishonest with their mandate seems counter-intuitive.